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Fernando Tolosana
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1
R 150
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L e m m e r' s f i r s t l a w: d o n' t g e t i n v o l v e d
but when emma le roux looks at him with pleading eyes, when the roof of his karoo house needs big repairs, when the cause is good and just, laws can be broken so he sighs, and says, yes, he'll ride shotgun for the two rare black rhino's
bad call
because on a dark and dusty road in limpopo, they stick a smith and wesson model 500 against his head they kick him and beat him, they lie, they deceive him, and they steal his glock, the one with his fingerprints all over it he wants it back and he wants revenge
so he tracks them, leaving a trail of violence that will run the length and breadth of a country, and touch the lives of:
former cop mat joubert, working on his first dossier as a private investigator it's a 'fifty five', police slang for a missing persons case danie flint, easy going, life of the party, route planner at the atlantic bus company, disappeared three months ago the s a p s bungled the case, and flint's wife is at the end of her tether joubert must track him down before her money runs out but it's been years since he did the grunt work, he no longer has the might of the state behind him, and the trail has gone icy cold
and milla strachan, the former housewife, who walked out on her rich, cheating husband and abusive teenage son to start a new life milla, who had only seen south africa from behind the high walls and alarm systems of her plush northern suburbs home, and through the rose tinted glasses of the privileged
struggling with being suddenly single at forty, trying to rebuild her relationship with her son, lost in a job market favouring the young and the wired, she has to settle for a lowly 'journalism' job at a secretive government agency a whole new world opens up for her – including the murky realm of organised crime, muslim extremism and terrorism, right on her doorstep and then this world reaches out and touches her, draws her in
a trail of death, stretching from the chizarira to the cape waterfront and at the end of it, nobody will be untouched
2y
VERIFIED
1
R 350
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An entertaining and informative book on some 300 historical buildings all over the country, with a great deal of supplementary information about the people associated with them
hardcover english struik 1989 192 pp illustrated in colour and black & white good condition in laminated hardcover
10mo
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1
R 100
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Old nectar and roses
author:van der spuy, kenneth
2y
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1
R 400
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first edition. as new. Theatre and Society in South Africa, Some reflections in a frctured mirror by Temple Hauptfleisch
1y
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2
R 250
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Please see photo for synopsis of book text is in german, with german, afrikaans and english text accompanying the fine colour and black and white photographs
2y
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1
R 175
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Ons erfenis our heritage de kock, victor
2y
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1
R 300
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Hardcover afrikaans tafelberg 1989 1st ed i s b n: 0624026515 127pp very good condition with laminated pictorial covers numerous line drawings and colour illustrations gardening book by noted author on botanical matters afrikaans text
2y
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1
R 250
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Nege jaar lank het delport vir hom weggekruip maar toe, een laatmiddag in caipemba, het malia domingo opgedaag rondom die vae herinneringe van moord het chris barnard ‘n roman gebou – ‘n roman wat sy vertrekpunt het in die soort situasie wat gewoonlik by ‘n populêre spanningsverhaal tuishoort maar die wyse waarop hy hierdie situasie hanteer en benut, laat dit ontplooi tot veel méér: dit word ‘n speurtog na die hoe en die waarom van die syn
2y
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1
R 100
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Jan hofmeyer heir to smuts a biography by tom macdonald
2y
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1
R 350
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Mara moja from northernmost scandinavia to the cape of good hope
lars henrik ottoson
2y
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1
R 599
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Desert adventure describes a year long journey, made by wilderness artist paul augustinus, through the rich diversity of desert landscapes of the namib and the kalahari infused with the spirit of adventure, it is an odyssey in search of southern africa's last remnants of unspoiled and untamed wilderness paul's own story is enlivened and given substance by the inclusion of narratives from the explorers of the past, one of whom described travelling in africa as requiring the endurance of a camel and the courage of a lion lavishly illustrated by the author's paintings, photographs, and pencil sketches of animals and birds in their natural settings, as well as by detailed maps, this desert adventure is for all to experience and to treasure '
1y
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8
R 5,000
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His works are auctioned in America and a bust addorns Queen Elizabeth ambassador reception rooms
1y
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1
R 180
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Jean de florette is the story of 'le bossu', a hunchbacked former clerk in a tax office who inherits a farm in the hills above the fictional village of la bastide in provence and, together with his wife and young daughter, dreams of making his fortune by raising rabbits
2y
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1
R 150
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From the #1 new york times bestselling author and master of narrative nonfiction comes the enthralling story of the sinking of the lusitania
on may 1, 1915, a luxury ocean liner as richly appointed as an english country house sailed out of new york, bound for liverpool, carrying a record number of children and infants the passengers were anxious germany had declared the seas around britain to be a war zone, and for months, its u boats had brought terror to the north atlantic but the lusitania was one of the era's great transatlantic " greyhounds" and her captain, william thomas turner, placed tremendous faith in the gentlemanly strictures of warfare that for a century had kept civilian ships safe from attack he knew, moreover, that his ship the fastest then in service could outrun any threat
germany, however, was determined to change the rules of the game, and walther schwieger, the captain of unterseeboot 20, was happy to oblige meanwhile, an ultra secret british intelligence unit tracked schwieger's u boat, but told no one as u 20 and the lusitania made their way toward liverpool, an array of forces both grand and achingly small hubris, a chance fog, a closely guarded secret, and more all converged to produce one of the great disasters of history
it is a story that many of us think we know but don't, and erik larson tells it thrillingly, switching between hunter and hunted while painting a larger portrait of america at the height of the progressive era full of glamour, mystery, and real life suspense, dead wake brings to life a cast of evocative characters, from famed boston bookseller charles lauriat to pioneering female architect theodate pope riddle to president wilson, a man lost to grief, dreading the widening war but also captivated by the prospect of new love gripping and important, dead wake captures the sheer drama and emotional power of a disaster that helped place america on the road to war
2y
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1
R 150
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Pitman shorthand new course: south african edition
2y
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1
R 100
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Dinosaurs, diamonds and democracy francis wilson
2y
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2
R 150
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When sarna singh leaves the lustrous green hills of uganda for england, streets of cramped old houses were not what she was expecting husband karam has been seduced by the historical feel of the city of london sarna, however, is convinced they have moved to england so he can visit his secret london lady friends sarna has a secret of her own, but she is adept at hiding it she impresses her english teacher with her attempt at a cutglass accent, and copious gifts of delicious food with two children to educate, money is scarce, and soon, she is devising weekly shoplifting expeditions to the supermarket but all the while, sarna is tormented by a mistake she made as a young woman in india to stifle unwanted memories, she cooks zealously, sweetening her thoughts with syrup, or suffocating them with the hottest spice she can find but when she receives an unexpected letter from back home, her assumed equilibrium is shattered to the skies it carries an ultimatum she cannot ignore set on an epic backdrop from partition, the coronation and churchill's funeral, to the present day, priya basil explores with compassion, the universal complexities of vanity and love her sensuous portrayal of the trials and tribulations of the singh family carries universal truths for all of us
2y
VERIFIED
2
Negotiable
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We first met jabu nene at the grahamstown organic market we were drawn to the color and unique designs that he has incorporated into his ceramics jabu grew up in soweto, the largest apartheid township outside of johannesburg in 1991 he started attending the art school of soweto in his second year he took his first ceramics class and has been passionate about it ever since after the end of apartheid he was able to attend the school of ceramics in norville where he refined his skills
jabu working on the pottery wheel photo by dora szekely
jabu currently makes bowls, cups, mugs, vases, lamps and candle holders he only uses clay and glazes that are from south africa, most of which are from wadeville the glaze is comprised of natural local ingredients that he mixes with water himself to the correct consistency he creates the pieces in a three step process the first step is to create the basic shape of the piece on a pottery wheel after the piece has dried he sketches out the design which he then carves before firing it the last step is to paint the piece before it is fired for the final time
1y
VERIFIED
1
R 1,500
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Great history of the bull terrier, filled with amazing photographs, along with Raymond Oppenheimer and Tom Horner, who did a great service to improving this amazing and comical breed.
Well worth reading and treasuring
2y
VERIFIED
1
R 275
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A History of Combat and Culture spans the globe and the centuries to explore the way ideas shape the conduct of warfare. Drawing its examples from Europe, the Middle East, South Asia, East Asia, and America, John A. Lynn challenges the belief that technology has been the dominant influence on combat from ancient times to the present day. In battle, ideas can be more far more important than bullets or bombs. Clausewitz proclaimed that war is politics, but even more basically, war is culture. The hard reality of armed conflict is formed by -- and, in turn, forms -- a culture's values, assumptions, and expectations about fighting. The author examines the relationship between the real and the ideal, arguing that feedback between the two follows certain discernable paths. Battle rejects the currently fashionable notion of a "Western way of warfare" and replaces it with more nuanced concepts of varied and evolving cultural patterns of combat. After considering history, Lynn finally asks how the knowledge gained might illuminate our understanding of the war on terrorism.
2y
VERIFIED
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