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The Golden Notebook is a 1962 novel by the British writer Doris Lessing. Like her two books that followed, it enters the realm of what Margaret Drabble in The Oxford Companion to English Literature called Lessing's "inner space fiction"; her work that explores mental and societal breakdown.The novel tells the story of Anna Wulf, a writer in post-World War II London. The book is structured as a series of notebooks in different colors, each representing a facet of Anna’s life. Through these notebooks, the novel explores Anna’s struggles with identity, her personal and political conflicts, and her relationships with men. It is a complex narrative that delves into themes of feminism, mental health, and the challenges of living in a rapidly changing world.
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Oil painting framed house in Lovers walk
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Unused knives, sharp blades, steel blade and inner handle. knife block included
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The ideal plug spacing is 300 500mm apart, therefore you require 2 3 plugs per meter of wall (per side)
the suggested height is 300mm from the floor (or can be placed at height where damp is most prominent)
you require a rotary hammer drill & 40mm s d s max masonry drill bit (recommended) the 40mm s d s core bit will also work
this can be hired from most tool hire shops
if possible, you should drill straight through the wall, and insert the plugs on either side (for maximum efficiency)
for cavity walls drill into the center cavity of the wall between the front and back layers of bricks (approx 140mm)
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For Whom the Bell Tolls is a novel by Ernest Hemingway published in 1940. It tells the story of Robert Jordan, a young American volunteer attached to a Republican guerrilla unit during the Spanish Civil War. As a dynamiter, he is assigned to blow up a bridge during an attack on the city of Segovia. Photo shows the USA print, mine is printed in London
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The book is in tiptop condition for its age. Cover intact, pages look unread, first edition and signed by author
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Intro to Probability models 4th edition. intro mathematical programming 4th edition. They look and feel new. complete with Cds.
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Solid brass with birds design on its base. heavy item
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First published in 1972, this lighthearted linguistic study of south african spoken english became a well loved book among south africans at home and abroad unique and humorous, the book was actually adopted by the b b c drama department as a reference for voice coaches when a white, urban, english speaking south african accent was required it is available again for a new generation of language lovers
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Not WITHOUT HONOUR by Vera Buchanan-Gould
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Izak david du plessis (1900 1981) was 'n lid van die sogenaamde dertigers en 'n suid afrikaanse skrywer en digter wat onder die pseudonym i d du plessis gepubliseer het sy herinneringe en beskouings het in 1975 in die boek aantekeninge uit tuynstraat verskyn
i d du plessis
vriende en kennisse
hier voor my op die lessenaar lê, soos 'n stuk rooskwarts, 'n groot klont teesuiker: herinnering nie net aan die dae toe dit nog bekend was nie (watter kind weet vandag van so iets?) maar aan c louis leipoldt, wat dit vir my gegee het daardie aand was markus ( j m h viljoen, redakteur van die huisgenoot), sy vrou anna (halfsuster van dr d f malan, nou mev preller) en ek by hom op sy kamer in seepunt dit was in sy later jare, nadat sy huis in kenilworth, daardie gasvrye huis waar sy vriende so dikwels om die tennisbaan en die eetkamertafel gesels het, reeds verkoop was ons het eers in kaapstad by 'n chinese restaurant geëet, waar hy geesdriftig oor die chinese kookkuns gesels het, en toe na sy kamer toe gegaan om na 'n aantal halfedelgesteentes te kyk: destyds een van sy belangstellinge vir anna het hy 'n besonderse sirkoon gegee wat sy in 'n ring laat set het die teesuiker is ook in die loop van die aand uitgehaal en aan ons uitgedeel my eerste kennismaking met leipoldt as persoon was in 1925 sy verse van voor dié tyd het ek natuurlik geken vir my geslag was die verse van marais, celliers, totius en leipoldt die bolwerk van ons taal, die waarborg van 'n eie identiteit my eerste skryfwerk wat in druk verskyn het, was 'n brief as sewentienjarige aan die cape argus ter verdediging van af rikaans, in antwoord op 'n ouer afrikaner wat nog nie kans gesien het om hollands vir afrikaans te verruil nie toe leipoldt hom in 1925 as kinderdokter in kaapstad kom vestig, het die opvoedkundige vereniging van die universiteit van kaapstad hom genooi om oor sy verse te kom praat sommer met die intrap het hy ons op loop gehad met 'n bewering wat my later, toe ek hom beter leer ken het, nie so sou geskok het nie die „ seepkissie," het hy gesê, word deur baie mense verkeerd vertolk in werklikheid is dit 'n juigkreet wat hy presies hiermee bedoel het, kan 'n mens maar net gis hy het nooit, vir sover ek weet, later daaroor uitgewei nie so was leipoldt: by elke ontmoeting kon 'n mens die een of ander skokkende bewering te wagte wees niemand het dit meer geniet as hy om 'n gesprek op hierdie manier te verlewendig nie voorbeelde van sy skokmetode is volop, maar dikwels apokrief altans hier te lande iemand wat graag skok, moet ook toon dat hy self nie maklik ge skok kan word nie by een geleentheid in my woonstel terwyl hy na félicien rops se tekeninge in caricatures erotiques (helaas, nie meer in my besit nie!) kom kyk het, moes ek kort kort hoor dat dit alles heel „ordinêr" is maar intussen het hy geen besonderheid laat verbygaan nie die kunsskilder hugo naudé, een van leipoldt se oudste vriende, het hom gevra om na my eerste (ongebundelde) verse te kyk en so het ek een aand na sy kamer gegaan om sy indrukke te kry die kommentaar wat hy gelewer het, was baie algemeen van aard van leipoldt die kritikus kon jy, net soos van leipoldt die mens, enigiets te wagte wees [ ]
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4 framed watercolours in very good condition. signed
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New 6 cups saucers milk jug sugar bowl
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How to Steal a Country describes the vertiginous decline in political leadership in South Africa from Mandela to Zuma and its terrible consequences. Robin Renwick’s account reads in parts like a novel – a crime novel – for Sherlock Holmes old adversary, Professor Moriarty, the erstwhile Napoleon of Crime, would have been impressed by the ingenuity, audacity and sheer scale of the looting of the public purse, let alone the impunity with which it has been accomplished. Based on Renwick’s personal experiences of the main protagonists, it describes the extraordinary influence achieved by the Gupta family for those seeking to do business with state-owned enterprises in South Africa, and the massive amounts earned by Gupta related companies from their associations with them. The ensuing scandals have engulfed Bell Pottinger, KPMG, McKinsey and other multinationals. The primary responsibility for this looting of the state however, rests squarely with President Zuma and key members of his government. But South Africa has succeeded in establishing a genuinely non-racial society full of determined and enterprising people, offering genuine hope for the future. These include independent journalists, black and white, who refuse to be silenced, and the judges, who have acted with courage and independence. The book concludes that change will come, either by the ruling party reverting to the values of Mandela and Archbishop Tutu, or by the reckoning it otherwise will face one day.
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Lavish color photographs and wrap around text celebrate the peripatetic spiritual leader of tibetan buddhism unidentified contributors present such perspectives as ocean of wisdom, the god in exile, and human rights and universal responsibility
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John ndevasia muafangejo was a namibian artist who became internationally known as a maker of woodcut prints he created linocuts, woodcuts and etchings.Titled: John's new house in Katutura at Windhoek dated 1987 the year he died.
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1954 signed first edition sleeve has been protected with plastic for all the time. 100% condition. price includes pep courier from Cape Town
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Kozyndan are husband and wife multidisciplinary artists who work collaboratively to create obsessively detailed works of art they work in drawing, painting, sculpture and photography their works often revolve around nature and our disconnection need for reconnection with the natural world
their work has been exhibited worldwide in museums from los angeles to newcastle, u k, to kiev, and galleries in australia, japan, canada, spain, the u k, los angeles, n y c and more their commercial work includes everything from album covers ( weezer, daedelus, usher, flying lotus, etc) to clothing lines (collaboration with p u m a) to interactive animation ( sony playstation)
kozyndan are obsessed with the ocean and being underwater and hope to someday come to rest at the bottom of the sea and slowly be devoured by deep creatures over many years
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Beyond wildlife art, david had a prolific painting career which focused on many other topics and subjects with an equal passion and love for military subjects, steam trains, landscapes and lesser seen portraits, his numerous originals and prints are held by collectors around the world
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This book takes 100 objects and explores their significance in shaping ireland photographs are accompanied by a concise and insightful story that shows the social, political and artistic vitality of each object beginning with mesolithic ireland and ending in 2005, ornamental treasures such as the book of kells, the magnificent 8th century ardagh chalice and a chair by modernist furniture designer eileen gray are given equal importance as pieces such as the bloodstained shirt of irish revolutionary james connolly, a 1950s washing machine and the letters from the anglo irish bank sign which were dismantled in 2011 the concept for this book came from a series in the irish times by columnist, writer and literary editor fintan o’ toole, who also writes the robust introduction to the book
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